No reason for it really. This amounts to not much more then a sketch. The little rose added into the desolate landscape was a bit of an afterthought as I felt one piece of life in the rocky landscape would add a certain poignancy (even if it is a bit cliché).
It's always fun to draw fantasy type stuff like this though and with the right colors something like this could really rock.
Drawn on a scrap piece of paper (that I don't feel like measuring) from pencils to inks and p-s'ing the star filed and moon in it took about 2 and a half to three hours to do.
Sunday, November 30, 2008
Go To Hell
...I saw my funeral that day,
I know who didn't show to mourn.
My judgment was life in hell,
with pillars of pain and thorns.
My only friend the goat,
with 666 between his horns...
An idea from a Megadeth song of the same name.
This REALLY needs good colors to fully make it work - and I'm just not good enough with colors to make it happen. I'll probably give the digital painting work in this one a try but until I do just use your imaginations I guess...
This was drawn 14x17 and from pencils to inks and a little "post work" in the computer it took about 3 and a half hours to complete to this stage.
I know who didn't show to mourn.
My judgment was life in hell,
with pillars of pain and thorns.
My only friend the goat,
with 666 between his horns...
An idea from a Megadeth song of the same name.
This REALLY needs good colors to fully make it work - and I'm just not good enough with colors to make it happen. I'll probably give the digital painting work in this one a try but until I do just use your imaginations I guess...
This was drawn 14x17 and from pencils to inks and a little "post work" in the computer it took about 3 and a half hours to complete to this stage.
Thursday, November 27, 2008
Frustration in Red and Green
My color blindness is something I (probably quite obviously) think about a lot. The intent of this piece differs from my work The Grass is Always Greener in so far as that piece was about how I was interested in others points of view in relation to my own; how they desired to see as I do while I experience the same thing for them.
In this piece it is pretty much all about me. I'll admit I've been frustrated quite a bit at times by my particular disability (when I was in kindergarten one of my teachers made me cry when she yelled at me for finger painting in the wrong color - she was criticizing my "defiance" when I didn't even know at that point I was color blind). Anger is quite chaotic and that feeling was what I was expressing.
Red and green were chosen again for their common association with those who are color blind.
The work itself is photo silkscreen masquerading as mono type prints. Basically I took large sheets of acetate and duralar and inked them up with opaque relief printing ink. I then modified the flat with mineral spirits and isopropyl alcohol. Then I printed them in layers.
I did these this was to experiment with the idea of trying to get a reproducible mono type. As the name suggests mono types are basically a one off - a ghost image can be printed but it is never as strong as the original. Playing with textures, pattern and formal elements in mono type printmaking fascinates me and I was searching for a method of reproducing the work in a traditional way (I would like to avoid digital reprints).
The method itself needs work and for those who know printmaking the look of the ink on the surface gives it away as a silkscreen but it's a fun process and I hope I can experiment with it further in the near future.
Examples of my abstract and mixed media mono types can be found at the following links:
Tarus the Bull
Grizzly Truth
When the Storm Comes Down
Roots
In this piece it is pretty much all about me. I'll admit I've been frustrated quite a bit at times by my particular disability (when I was in kindergarten one of my teachers made me cry when she yelled at me for finger painting in the wrong color - she was criticizing my "defiance" when I didn't even know at that point I was color blind). Anger is quite chaotic and that feeling was what I was expressing.
Red and green were chosen again for their common association with those who are color blind.
The work itself is photo silkscreen masquerading as mono type prints. Basically I took large sheets of acetate and duralar and inked them up with opaque relief printing ink. I then modified the flat with mineral spirits and isopropyl alcohol. Then I printed them in layers.
I did these this was to experiment with the idea of trying to get a reproducible mono type. As the name suggests mono types are basically a one off - a ghost image can be printed but it is never as strong as the original. Playing with textures, pattern and formal elements in mono type printmaking fascinates me and I was searching for a method of reproducing the work in a traditional way (I would like to avoid digital reprints).
The method itself needs work and for those who know printmaking the look of the ink on the surface gives it away as a silkscreen but it's a fun process and I hope I can experiment with it further in the near future.
Examples of my abstract and mixed media mono types can be found at the following links:
Tarus the Bull
Grizzly Truth
When the Storm Comes Down
Roots
Need
I could swear I posted this one here before but as I looked thru my work I've put up here I just couldn't find it.
This piece is a linoleum reduction cut (also called a suicide cut because it "kills" the block) utilizing the white of the paper as a color. It was done as a companion piece to my work Cyclical which can be seen here CYCLICAL LINK.
This appeared in my BFA show at Long Beach State University earlier this year.
Wednesday, November 26, 2008
Random Animals...
Monday, November 24, 2008
The Strange Case of Dr. Jekyll and Mr. Hyde
This is a slightly older drawing - from early last year.
I had just seen the movie The League of Extraordinary Gentlemen and thought the portrayal of Dr. Jekyll/Mr. Hyde was well played. Shortly there after I busted out my ol' sketchbook and did this. I drew the character of Mr. Hyde here with his likeness from the movie in mind (Dr. Jekyll not so much..). I really liked they way it came out in pencils so I threw some ink on it as well.
Drawn at about 9x12, with pencils and inks it took about two and a half to three hours to finish.
I had just seen the movie The League of Extraordinary Gentlemen and thought the portrayal of Dr. Jekyll/Mr. Hyde was well played. Shortly there after I busted out my ol' sketchbook and did this. I drew the character of Mr. Hyde here with his likeness from the movie in mind (Dr. Jekyll not so much..). I really liked they way it came out in pencils so I threw some ink on it as well.
Drawn at about 9x12, with pencils and inks it took about two and a half to three hours to finish.
Sunday, November 23, 2008
The Animal
Sometimes we all just feel a little overwhelmed. I certainly am no different.
I mostly wanted to play with the little splatter pattern I used here and "paint" in a stylized abstract background in the computer. That is really why I drew this.
I had you going with the "overwhelmed" bit didn't I?
This was drawn fairly small at about 11x14 I believe (perhaps a shade smaller).
Total time for pencils, inks and digital color was about 4.5 hrs.
I mostly wanted to play with the little splatter pattern I used here and "paint" in a stylized abstract background in the computer. That is really why I drew this.
I had you going with the "overwhelmed" bit didn't I?
This was drawn fairly small at about 11x14 I believe (perhaps a shade smaller).
Total time for pencils, inks and digital color was about 4.5 hrs.
New Press
I was basically playing with typography and design with this as I was thinking about magazine covers. I've always felt my sense of design was quite lacking and it's something I've been thinking about a lot lately when it comes to my art.
Everything in this image is from scratch except the word "PRESS" which is, of course, a computer font.
The "NEW" part was computer generated but is not a font - it was made it in photoshop.
All in all I think this is still rather weak as far as design goes - it looks cool and is fairly well drawn but its design is just weak.
But at least it's a step in the right direction as I am thinking more about the very important elements of design in my comic book work.
Thursday, November 20, 2008
Star Wars
This is a work in progress (and a splash page for my comic portfolio) based on an idea I had; Let's just say I personally felt Samuel L. Jacksons character Mace Windu from the second Star Wars Trilogy was tragically under-used.
It's based on an idea I had feeling he should have had a more central roll in the post Revenge of the Sith era as opposed to being killed of in the rather lame manner he was done away with. I threw in the "generic title" because I didnt want to put the name I had thought of for the story idea on there yet.
When I finish rendering this I'll post the results - probably with the full title for my little idea...
Wednesday, November 19, 2008
Waiting
This is a splash page I did for my comic portfolio.
In giving it a second (or third or fourth or fifth) look I'm not sure now that I'll use it.
I like it , but I may not use it for submissions.
Anyway Spider-Man is cool so I figured I could post it.
The basic idea is Spidey Vs. Venom, but a Venom that no longer has a host body.
In giving it a second (or third or fourth or fifth) look I'm not sure now that I'll use it.
I like it , but I may not use it for submissions.
Anyway Spider-Man is cool so I figured I could post it.
The basic idea is Spidey Vs. Venom, but a Venom that no longer has a host body.
Monday, November 17, 2008
Wendigo Re-Ink
This one is actually quite old. I really liked it when I first drew it (10 years ago or so) and recently dusted it off for another look.
Needles to say my inking skills have improved by leaps and bounds since then and I decided to beef up the inks and add a little detail to see if I could get it to hold up.
I also re-drew the stylized trees in the background as I felt no amount of re-inking would help the initial ones I had drawn in there. So I digitally removed the original trees and added these newly drawn ones in.
If you would like to see the original it can be found at this link .
I should note that the moon in this one is actually the original moon I drew for it while the moon in the version in the link was one I added in after I imported the image into my computer all those years ago.
Needles to say my inking skills have improved by leaps and bounds since then and I decided to beef up the inks and add a little detail to see if I could get it to hold up.
I also re-drew the stylized trees in the background as I felt no amount of re-inking would help the initial ones I had drawn in there. So I digitally removed the original trees and added these newly drawn ones in.
If you would like to see the original it can be found at this link .
I should note that the moon in this one is actually the original moon I drew for it while the moon in the version in the link was one I added in after I imported the image into my computer all those years ago.
Sunday, November 9, 2008
Wolverine V. Wendigo Storyboard
This is a bit of an old one - I did this several years back for my comic book portfolio before I decided to re-do the whole thing with brand new material.
I went back in and re-inked it, beefing up the lines a bit and making it look more solid.
I liked it a lot when I drew it a number of years ago and I like it still with the updated inks.
Krenny Lavitz
This is just a bit of an inconsequential little thing. While I like Lenny Kravits music (to an extent) I couldnt help but see him as a complete and utter tool. He was featured in a commercial in all his weird glory not to long ago and I was struck by how much of a slave to the next big thing he seems to portray himself as.
Whether thats his doing or his management team I don't know. Either way he would do well for himself (in my humble opinion) to carve out an identity that is truly his own.
Whether thats his doing or his management team I don't know. Either way he would do well for himself (in my humble opinion) to carve out an identity that is truly his own.
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